Simon Smyth 🎥 That was an excruciatingly hard film to watch.
I've seen many films on Gaza and rate many of them very highly but only NAZA, American Doctor, 2026 and another film by Irish filmmakers Garry Keane and Andrew McConnell called Gaza from 2019 would I consider vital to watch. Vital to understanding the Genocide and the world today or what I imagine that is.
The people in charge of calculating the NAZA. The collateral damage calculation that could go from 10 or 20 civilians to 500 civilians for each targeted suspected Hamas combatant.
Although they didn't really target suspected combatants, they targeted buildings in which they believed the suspect was living.
Policy included bombing houses with people who stayed after warning leaflets were dropped. Nothing to do with Hamas, no suspects involved, carried out purely to create a demilitarised zone.
Maybe 25% of residents were killed under this policy in entire neighbourhoods: the infirm, the old, those who were afraid to leave in case they were targeted as they fled. Hundreds in one attack. Wiped from history. "Good luck to them!" one of the Israeli forces who was interviewed said.
With regards to the attacks against buildings housing suspects, the Israeli team would listen through mobile phones beforehand to decide if the target was home and afterwards listened to the screams. They could tap into all the sensory functions of the phone.
There was witness accounts of snipers killing those Gazans who were starving and who were trying to get food. The attackers would watch drone footage of dogs eating the dead.
At the end I just wanted the film to end. Anything to leave the carnage. To go home to my warm house. Away from clear vivid bloody depictions of the genocide and away from the perpetrators who were both against what they did and also those still in favour of what they'd done. The repugnance of it all. People who openly admitted to personally killing thousands. Away from those who compared themselves to Nazis and who explained they knew the mindset of those who carried out the Holocaust. The fear and the palpable feeling of death these whistleblowers provoked went to my core.
It's a difficult watch. People in the audience were cursing audibly with shock throughout. Silence otherwise. At the end the crowd sat as the credits rolled, people too numb to budge.
I've seen many films on Gaza and rate many of them very highly but only NAZA, American Doctor, 2026 and another film by Irish filmmakers Garry Keane and Andrew McConnell called Gaza from 2019 would I consider vital to watch. Vital to understanding the Genocide and the world today or what I imagine that is.
The people in charge of calculating the NAZA. The collateral damage calculation that could go from 10 or 20 civilians to 500 civilians for each targeted suspected Hamas combatant.
Although they didn't really target suspected combatants, they targeted buildings in which they believed the suspect was living.
Policy included bombing houses with people who stayed after warning leaflets were dropped. Nothing to do with Hamas, no suspects involved, carried out purely to create a demilitarised zone.
Maybe 25% of residents were killed under this policy in entire neighbourhoods: the infirm, the old, those who were afraid to leave in case they were targeted as they fled. Hundreds in one attack. Wiped from history. "Good luck to them!" one of the Israeli forces who was interviewed said.
With regards to the attacks against buildings housing suspects, the Israeli team would listen through mobile phones beforehand to decide if the target was home and afterwards listened to the screams. They could tap into all the sensory functions of the phone.
There was witness accounts of snipers killing those Gazans who were starving and who were trying to get food. The attackers would watch drone footage of dogs eating the dead.
At the end I just wanted the film to end. Anything to leave the carnage. To go home to my warm house. Away from clear vivid bloody depictions of the genocide and away from the perpetrators who were both against what they did and also those still in favour of what they'd done. The repugnance of it all. People who openly admitted to personally killing thousands. Away from those who compared themselves to Nazis and who explained they knew the mindset of those who carried out the Holocaust. The fear and the palpable feeling of death these whistleblowers provoked went to my core.
It's a difficult watch. People in the audience were cursing audibly with shock throughout. Silence otherwise. At the end the crowd sat as the credits rolled, people too numb to budge.
⏩ Simon Smyth is an avid reader and collector of books.


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