Christopher Owens ✍ with a poem.


Nachtraeglichkeit

Snakes and rabbits perched on the rooftop

while a well pecked hatchling lies on the

staircase. Its breast ripped open and the

beak jammed open. There is a silence

in the courtyard that becomes more

noticeable the longer one looks at the beak.

♜ ♞ 

Along Queens Road, still potent feelings

of eroticism, exhilaration and comfort are

evident in my nervous system. Retracing my

steps, I am reminded that I would never

beg for affection. A decision that many would

struggle with in this age of presentism.

♜ ♞ 

The ruined library has seen better days.

Wet rot has rendered the shelves unstable,

with them contorting into various shapes.

By contrast, the books are in remarkable

shape. Some have even retained a fresh

smell in spite of the cobwebs.

♜ ♞ 

Near the coast, an endless array of tents made out

of flags fester along the hard shoulder, consisting of

remnants from the Greater War. Some merely stare at

their flags, while others try to articulate a sense of victory.

Smallpox is rampant throughout these little containments.

Their screams an endless gulder that bears little resemblance

to the piercing scream so ubiquitous throughout the culture.

♜ ♞ 

An endless wave of eyeless corpses flow

under the Albert Bridge. Any expressions

have been modified beforehand thanks to

surgery and the inevitability of history.

The flow is steady, and quite soothing

for the call centre jockey on lunch break.

♜ ♞ 

Most acts of remembering are interpretative,

driven by the needs of the present. A constant

battle of wits between your reactions and the

mechanics of a machine. The steering wheel the

difference between euphoria and collapse. Hence

the addition of barbed wire on the grill.

♜ ♞ 

The graveyard of statues festers in between the

blossoming primary school architecture and the

resilient (but tired) fun fair. Both linked with a

slogan magnified due to gauche LED signage:

“Boundaries are bridges, not fences”.

Meanwhile, the statues face the elements

with cracked paint and stumps coated in

the most exuberant, fertile moss.

📜Christopher Owens, 2023. A Vortex Of Securocrats. ASIN: B0BW2XKJS3

Nachtraeglichkeit

Christopher Owens ✍ with a poem.


Nachtraeglichkeit

Snakes and rabbits perched on the rooftop

while a well pecked hatchling lies on the

staircase. Its breast ripped open and the

beak jammed open. There is a silence

in the courtyard that becomes more

noticeable the longer one looks at the beak.

♜ ♞ 

Along Queens Road, still potent feelings

of eroticism, exhilaration and comfort are

evident in my nervous system. Retracing my

steps, I am reminded that I would never

beg for affection. A decision that many would

struggle with in this age of presentism.

♜ ♞ 

The ruined library has seen better days.

Wet rot has rendered the shelves unstable,

with them contorting into various shapes.

By contrast, the books are in remarkable

shape. Some have even retained a fresh

smell in spite of the cobwebs.

♜ ♞ 

Near the coast, an endless array of tents made out

of flags fester along the hard shoulder, consisting of

remnants from the Greater War. Some merely stare at

their flags, while others try to articulate a sense of victory.

Smallpox is rampant throughout these little containments.

Their screams an endless gulder that bears little resemblance

to the piercing scream so ubiquitous throughout the culture.

♜ ♞ 

An endless wave of eyeless corpses flow

under the Albert Bridge. Any expressions

have been modified beforehand thanks to

surgery and the inevitability of history.

The flow is steady, and quite soothing

for the call centre jockey on lunch break.

♜ ♞ 

Most acts of remembering are interpretative,

driven by the needs of the present. A constant

battle of wits between your reactions and the

mechanics of a machine. The steering wheel the

difference between euphoria and collapse. Hence

the addition of barbed wire on the grill.

♜ ♞ 

The graveyard of statues festers in between the

blossoming primary school architecture and the

resilient (but tired) fun fair. Both linked with a

slogan magnified due to gauche LED signage:

“Boundaries are bridges, not fences”.

Meanwhile, the statues face the elements

with cracked paint and stumps coated in

the most exuberant, fertile moss.

📜Christopher Owens, 2023. A Vortex Of Securocrats. ASIN: B0BW2XKJS3

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