A lot of this is to do with the fact that, due to the Industrial Revolution, the modern city evolved into the form that we know during this period. Therefore, the myriads of cobbled backstreets, towering chimneys and terrace housing still feel familiar and just as claustrophobic in 2026.
The image of a top hatted Jack the Ripper slicing his victims up in smog filled streets is another potent image that, for many, epitomise the era: the rich exploiting the poor working class in ways never seen before. Likewise, the folk-devil Spring-heeled Jack would be used as way to warn misbehaving children. Therefore a link was made by some between modernity and evil not of this earth. One that Jonathan Traynor has chosen to explore further in his new book.
With his previous works involving post-apocalyptic surroundings and the struggle for individuality in a suffocating world, some might find it odd for him to explore 19th century Britain. But considering both novels covered contemporary issues, it’s notable that he does the same here.
Telling the tale of Earl Black, the working-class Giles Jennings and alcoholic xyBal, these esteemed gentlemen and daemon respectively are special agents for Her Majesty’s Government who deal with cases that may be simple on the face of it but involve the supernatural. Of course, the Earl is well equipped to deal with this, being over 350 years old and the last of his kind. Such tasks involve dealing with Prussians who have stolen secrets that threaten the British Empire, factory owners in Manchester who won’t free their staff and goings on in Cambridge that involve carnage.
A kind of cross between Sherlock Holmes, The X-Files and Hellblazer, if you will.
The theme of an establishment that seems to have unlimited powers thanks to the supernatural is an eternal one not just because of David Icke but also because it reflects the growing fear among many that the government are ruthless when it comes to these issues and many feel powerless to defend themselves accordingly. In Earl Black . . . Traynor does an immense job of demonstrating how such forces would be incorporated into Her Majesty’s Secret Service no problem. At the same time, Traynor knows that he’s writing a penny dreadful at the end of the day so it’s to his credit that the reader goes on the adventure with these characters while still pondering the implications.
The book also taps into fears about immigration which were as common back then as they are today. While having tea with Queen Victoria, Jennings depicts his working-class upbringing in a manner that most from such backgrounds would understand:
Your majesty, I grew up in the dark and dirty back streets of the east end, there are more non-humans, as you say, than most, err, how can I explain, than the members of parliament can imagine. Imps, faeries, elves, all types. The truth is most represent no threat or mean no harm. Like us all they just want to survive. They provide many services to the community, help people. I know of one who acts as a community banker, it makes sure to collect people’s money and distribute throughout the week so it cannot be wasted on drinking and gambling.
Once again, Traynor hits it out of the park with a gripping tale of horror and intrigue that also taps into concerns and fears that are older than we think. He should explore this terrain further.
Jonathan Traynor, 2026, Earl Black and the Daemons of the British Empire. Traynor Press. ISBN-13: 978-1910728710























