Christopher Owens 🔖 reviews a work by a Belfast author.
Something of a cliche but Guided by Voices frontman Robert Pollard tells the truth.
This quote makes me think of Belfast based author Jonathan Traynor. Four books in two years (with another due soon), he writes out of a love and passion for story telling as opposed to social media clout and having bookTokers recommend his work without ever reading it,
For his second book of 2026, Traynor offers up Fist Can Be a Verb. A collection of short stories, poems and essays, it has a similar function to Stephen King’s Night Shift in that it has connections to his other works (two stories were originally part of Race the Undead) but also showcases where he’s going next as a writer.
I’m written before about how a good short story collection should be something that can be dipped into at leisure and enjoyed in isolation. It really is an art form in itself, a highly underrated one.
So how does Fist Can Be a Verb match up?
Opener “Hero dwarf Stephen” surveys the aftermath of an epic battle between two giant dragons and an army of elves. While the former have been killed by the titular hero he has been mortally wounded in the process. Although only a page and a half long, it manages to depict a devastated world as well as be both oddly moving and amusing at the same time (the name reminds me of Tim the Enchanter from Monty Python).
“When a blow job is not just a blow job” has a porn obsessed, self-righteous arsehole bore the reader about the power dynamics involved in oral sex, all the while thinking that he’s being matter of fact, even giving us the title of this collection. Coming off (ooh er) as a left-wing version of the Viz character The Male Online (ironic considering the narrator attacks the Daily Mail), Traynor writes him as somewhere in between a lecturer and a pornographer. Maybe one that could have been expanded by a few pages.
In a change of format ‘Blind, stupid and unable to face facts’ is a polemic about the average person getting shafted by the state who are utterly unprepared for the time bomb that awaits us:
It’s heartfelt, well-argued and just a little bit angry!
The rest of the book continues in the same format established by the opening three tales/polemics and demonstrate how effective Traynor is as a writer where he can have you laughing one minute, filled with melancholia the next and then pondering implications for society afterwards
While not the best book he’s put out this year (that goes to Earl Black) it’s certainly a notable diversion to take the readers on. And, as Neil Young once noted, that’s where you meet the most interesting people.
Jonathan Traynor, 2026, Fist Can be a Verb. Independently Published.
. . . I’ve talked to kids, they’ve written me, and they go, “Well, I’m frustrated. We’ve had this band for a year and nothing’s happening.” And I’m like, “Man.” See, that’s a mistake a lot of kids make. They have ambitions for something to happen to their music, and fuck, just do it because you like to do it, you know. That’s what we did it because it was fun. We couldn’t believe that we could actually, you know...I don’t know what context that was taken in, but...if you sincerely believe that it’s like something that satisfies your soul, which I did, then that’ll happen to you. If you’re just doing it with some kind of like false ambition...thinking somebody’s gonna discover you...then it probably won’t happen. But if you do it just because you wanna do it, then good things will come to you.
Something of a cliche but Guided by Voices frontman Robert Pollard tells the truth.
This quote makes me think of Belfast based author Jonathan Traynor. Four books in two years (with another due soon), he writes out of a love and passion for story telling as opposed to social media clout and having bookTokers recommend his work without ever reading it,
For his second book of 2026, Traynor offers up Fist Can Be a Verb. A collection of short stories, poems and essays, it has a similar function to Stephen King’s Night Shift in that it has connections to his other works (two stories were originally part of Race the Undead) but also showcases where he’s going next as a writer.
I’m written before about how a good short story collection should be something that can be dipped into at leisure and enjoyed in isolation. It really is an art form in itself, a highly underrated one.
So how does Fist Can Be a Verb match up?
Opener “Hero dwarf Stephen” surveys the aftermath of an epic battle between two giant dragons and an army of elves. While the former have been killed by the titular hero he has been mortally wounded in the process. Although only a page and a half long, it manages to depict a devastated world as well as be both oddly moving and amusing at the same time (the name reminds me of Tim the Enchanter from Monty Python).
“When a blow job is not just a blow job” has a porn obsessed, self-righteous arsehole bore the reader about the power dynamics involved in oral sex, all the while thinking that he’s being matter of fact, even giving us the title of this collection. Coming off (ooh er) as a left-wing version of the Viz character The Male Online (ironic considering the narrator attacks the Daily Mail), Traynor writes him as somewhere in between a lecturer and a pornographer. Maybe one that could have been expanded by a few pages.
In a change of format ‘Blind, stupid and unable to face facts’ is a polemic about the average person getting shafted by the state who are utterly unprepared for the time bomb that awaits us:
. . . the Northern Ireland Statistics and Research Agency recently... said that there will be more people over 65 than children by 2027. ‘There are projected to be more deaths than births in 2030 with that trend then continuing indefinitely,’ said the BBC report on April 28th, 2026, regarding the release of this latest data set. The trend is not new. The politicians, officials et al know this but deliberately look away. Yes, it is a deliberate decision to look the other way. To not consider consequences.
It’s heartfelt, well-argued and just a little bit angry!
The rest of the book continues in the same format established by the opening three tales/polemics and demonstrate how effective Traynor is as a writer where he can have you laughing one minute, filled with melancholia the next and then pondering implications for society afterwards
While not the best book he’s put out this year (that goes to Earl Black) it’s certainly a notable diversion to take the readers on. And, as Neil Young once noted, that’s where you meet the most interesting people.
Jonathan Traynor, 2026, Fist Can be a Verb. Independently Published.
⏩ Christopher Owens was a reviewer for Metal Ireland and finds time to study the history and inherent contradictions of Ireland. He is currently the TPQ Friday columnist and is the author of A Vortex of Securocrats and “dethrone god”.






















