Fírinne McIntyre ✒ writing in Being Human.
"Your hair has been destroyed, to prevent you from contacting your ship."
Yorgos Lanthimos’ Bugonia is a story that could have turned audiences away. The CEO of a powerful medical company is kidnapped by two conspiracy theorists who believe she is an alien sent to destroy Earth.
The concepts behind its most considerable plot points could leave an audience groaning, shaking their heads as they leave the cinema muttering. If I were to explain the story arc to the layman, I would expect no reply other than, ‘Aw, c’mon. Really?’.
Bugonia could have missed its mark, but it was flawlessly executed. Execution is crucial, and Lanthimos has crafted a clean guillotine. The film borrows its plot from the South Korean film Save The Planet! (2003), and I wonder if I might find its execution as successful under another director.
A noteworthy piece of pre-release hype for Bugonia, including a bald-only preview screening, was that Emma Stone had shaved her iconic red hair, and sported a stubbly scalp for Lanthimos’ newest film - a sharp contrast to the remarkably black and ostentatiously long hair she wore in Poor Things. While the trailer revealed this bald-headed Emma, none of this prepares the viewer for the real-time hair-shaving scene.
Up close on 35mm film, I realised that Stone, a woman subjected to the beauty standards of 2025, had no prior idea what her scalp looks like. Watching felt like intruding. Stone’s performance in this film was beyond words, and without traversing too far into the land of spoilers, I found certain moments hard to watch.
Don, played by Aidan Delbis in his breakout role, was a real example of empathy and of the echo chamber - a character perfectly placed between innocence under manipulation and total complicity. Another hit from the guillotine of perfect execution.
To conclude, if you have seen Bugonia, please Google the children’s show Boohbah. It was the first thing I thought of upon leaving the cinema.
Yorgos Lanthimos’ Bugonia is a story that could have turned audiences away. The CEO of a powerful medical company is kidnapped by two conspiracy theorists who believe she is an alien sent to destroy Earth.
The concepts behind its most considerable plot points could leave an audience groaning, shaking their heads as they leave the cinema muttering. If I were to explain the story arc to the layman, I would expect no reply other than, ‘Aw, c’mon. Really?’.
Bugonia could have missed its mark, but it was flawlessly executed. Execution is crucial, and Lanthimos has crafted a clean guillotine. The film borrows its plot from the South Korean film Save The Planet! (2003), and I wonder if I might find its execution as successful under another director.
A noteworthy piece of pre-release hype for Bugonia, including a bald-only preview screening, was that Emma Stone had shaved her iconic red hair, and sported a stubbly scalp for Lanthimos’ newest film - a sharp contrast to the remarkably black and ostentatiously long hair she wore in Poor Things. While the trailer revealed this bald-headed Emma, none of this prepares the viewer for the real-time hair-shaving scene.
Up close on 35mm film, I realised that Stone, a woman subjected to the beauty standards of 2025, had no prior idea what her scalp looks like. Watching felt like intruding. Stone’s performance in this film was beyond words, and without traversing too far into the land of spoilers, I found certain moments hard to watch.
Don, played by Aidan Delbis in his breakout role, was a real example of empathy and of the echo chamber - a character perfectly placed between innocence under manipulation and total complicity. Another hit from the guillotine of perfect execution.
To conclude, if you have seen Bugonia, please Google the children’s show Boohbah. It was the first thing I thought of upon leaving the cinema.























