Just as nothing has been achieved since the signing of the GFA.
'There's no going back' appears to be their slogan for this protest.
But they have gone back.
They returned to Stormont after repeatedly saying that 'there would be no return to the status quo.
They went back so that Michelle O'Neill could become the Colonial First Minister.
And the status quo swallowed them up then spat them back out with the reminder that Stormont was still an Orange Parliament for the Orange Order, regardless of whether or not Sinn Féin was the largest party in the North or Michelle O'Neill was the Colonial First Minister.
If Sinn Féin want to protest they should pull out of Stormont instead of propping it up.

Ed Sheeran may be a good musician, I really don’t know as I have only listened to one of his songs from start to finish, Galway Girl, which, for obvious reasons, is the only song I will mention in this article that I will not provide a link to in the footnotes. He sacked Macklemore at the behest of a Zionist mentioned in the Epstein files and thought that was it. How wrong he was. The backlash has been swift and brutal, though not as brutal as the genocide in Gaza that Sheeran and his Zionist friends like Kraft pretend is not happening.
To be clear Kraft appears in the Epstein list and was also charged with solicitation of prostitutes but the video of him with migrant prostitutes was ruled inadmissible. And he is a close associate of Donald Trump and to nobody’s surprise Benjamin Nethanyahu.[1] Sheeran also played at Kraft’s 2022 wedding. Not so squeaky clean.
Sheeran says he just wants to sing, to entertain to sing love songs and the like. None of it is political he says and his defenders have gone that extra step to say that music shouldn’t be political. Of course, what they mean is that it shouldn’t espouse causes they disagree with, only safe causes that won’t upset the evening tapas and wine soirées in Dublin 4 and posh areas of other cities around the world. And when an event has passed into history, it is very easy to consider the cause safe and sing about it. Not so much when the struggle is going on. Famously, Brian Cowen - the former Irish Taoiseach (prime minister) - was after a few pints of Guinness able to give rousing renditions of the Fields of Athenry[2] at his party’s Ard Fheis (AGM) whilst he prepared to hand over the property deeds of half the country to the IMF, ECB and any vulture fund wishing to make a quick buck or two on the fields in Athenry or even just a backyard in Tallaght. But the “Famine” which the song is about was safe history.
These same people have no problem with musicians being political when they support the cause. They did not complain about Sheeran speaking and performing about Ukraine. But of course, that was different - they had the support of NATO, UN, EU, USA, the media, the banks etc. So safe, you could invest in it. And they did. He also met with Noa Argamani following her release by Hamas, but not with Palestinians released in the same period.
He also said that he was worried that artists performance material would have to be preapproved by venues.[4] But that is exactly what he did. There is a long history of this in the USA, particularly during the McCarthy period but also long after. Sheeran and Kraft just revived the practice. One of the stadiums to ban Macklemore was the Mercedes Benz Stadium in Georgia, a place that once hounded black artists. The car company doesn’t own the stadium, it just has the naming rights, but it is ironic that a stadium in Georgia of all places named after a company that once happily supplied the Nazis with vehicles and made lots of money out of it should not like people complaining about genocide. This is the same state that effectively banned Ray Charles because he refused to play to segregated audiences.
These people are wrong on every level. Not just about Palestine, but about music being neutral. It never has been, though some have tried to excuse Sheeran as not having realised that some shift had taken place in audiences' expectations. Not so. Music has always being political. Woody Guthrie, who inspired Dylan and countless folk singers, famously inscribed This Machine Kills Fascists on his guitar, something which might land him in jail nowadays. Music is a weapon and a battleground, and he sang about people’s struggles, from the dustbowl poverty[5] to the execution of Sacco and Vanzetti.[6]

Acts that are safe politically speaking get promoted and always have. Those musicians who are not safe anymore are cancelled. In some cases they are murdered by the state. The Spanish poet Federico García Lorca is perhaps the most internationally recognised Spanish poet. He was famous in life as a campaigner not only for social causes but for art. He is internationally remembered in part because he was murdered by the Fascists. Victor Jara is perhaps the most famous Chilean singer. He became famous due to his allegiance to the causes of the working class whilst alive and the songs he sang as part of that struggle such as El Derecho de Vivir en Paz[7] (The Right to Live in Peace) against the war in Vietnam. The lyrics are so relevant to Gaza now.
The Pinochet dictatorship feared him so much they felt compelled to silence his voice and murdered him only days after the coup. Sheeran need not worry, they will never do that to the likes of him, he is their useful complicit fool.
The world is full of musicians and composers who have been murdered, censored or forced into exile. In the Spanish State we have Catalan musicians such as Lluís Llach who wrote many anti-Franco songs such as L’Estaca,[8] which called for the overthrow of the Fascist dictatorship in Spain. He even recorded one on exile itself, Corrandes d’Exili(Verses on Exile),[9] or Paco Ibañez who dedicated his life to putting music to the words of countless poets such as Antonio Machado who died in exile, Miguel Hernández who was captured and imprisoned where he died from tuberculosis, García Lorca murdered at the beginning of the Fascist take over and Rafael Alberti who spent 39 years in exile. In Latin America musicians such as Daniel Viglietti also went into exile following his release from prison in Uruguay and Mercedes Sosa fled Argentina. These might seem like they belong to a faraway time, but at the moment Pablo Hasél is in jail in Spain serving a sentence for singing a song critical of the Spanish king, Juan Carlos I.[10] The song refers to his alcohol abuse, use of prostitutes, trophy hunting of animals in Africa and his plundering of the Spanish finances. All of Hasél’s statements are factually accurate.[11] The former Spanish king appointed by the Fascist dictator Franco, is currently on the run in Abu Dhabi, due to his involvement in financial irregularities as they like to put it, whilst Hasél languishes in prison for the crime of insulting the crown.
Sheeran likes to flout his Irish heritage, which at this stage has been reduced at best to his ginger hair. Irish music is full of references to rebellion, from Robert Emmet,[12] to the Fenians,[13] the 1916 Rising,[14] the effects of the great hunger which saw massive migration,[15] Internment in 1971[16], Bloody Sunday in 1972, recorded by John Lennon,[17] the Hunger Strikes[18] and so forth. Some of it is very political, other songs not so much. You’d think a man who claims to be culturally Irish would know this. But there have always been those who strived to put forward nonsense about music and politics not mixing. Blacks in the US expressed their plight through music, time and again. Whole genres arose due to that and in case Sheeran was in doubt, what does he think the spiritual Oh Freedom[19] is about? Does he think it is just a pretty tune? Does he think it was sung as part of the civil rights movement in the USA for light entertainment?
Black musicians began refusing to play Jim Crow segregated concerts in the 1950s and 1960s. Even The Beatles at the height of their commercial success before they became more political emulated Ray Charles and refused to play Gator Bowl stadium in 1964 because it was segregated. They stood up to the city and the city backed down. Sheeran has no such backbone, he could regress a few million years in evolutionary terms and we wouldn’t notice the difference.
Pete Seeger put it succinctly in a reworked Methodist Hymn, How Can I Keep from Singing?[20]
Of course Sheeran’s answer to this, is how can I count my money over the cries and wailing of mothers holding their dead infants in their arms? Put on your headphones and listen to some banal shite on Spotify would seem to be the answer.
There would be no modern folk music without politics, no reggae either nor Ska which was a musical form popular amongst working class Jamaicans.[21] No Hugh Masekela and South African Jazz without the struggle against Apartheid and of course no Miriam Makeba either. All music is political in nature. Some of the folk songs in the US were composed,by the executed trade union leader Joe Hill, amongst others, to stop the Salvation Army from breaking up trade union meetings. The SA would turn up at meetings with their bands to stop the godless trade unionists from organising the working class. So the IWW (the Wobblies as they were known) composed trade union songs to the same melodies as the reactionary songs of the Salvation Army. As Utah Phillips put it, they took the melodies because they were pretty and changed the lyrics so they made more sense. So when the SA turned up, the trade unionists burst into song and the SA went away, with Lucifer’s tale between their legs. One of the songs of that nature is The Preacher and the Slave, also known as Pie in the Sky.[22]
The point of it all is that music has always been political and Ed “butter wouldn’t melt in his mouth” Sheeran is eminently political. He makes statements about Ukraine because he knows the great and powerful agree with him, he says nothing about Palestine because these same forces are on the side of genocide. He meets with released captives of Hamas but has never met, nor will he ever meet a Palestinian detained as a child with no charge and released many years later as an adult, having never been convicted or even charged with a crime. Sheeran is very political, just like Trump. Stupid, crass, self-serving, egotistical, but political: always political. And like Trump he is always treacherous.
[1] The Independent (18/09/2026) Robert Kraft: The man named in the Epstein files who is behind Ed Sheeran’s concert controversy.
[2] Written by Pete St. John and first recorded by Paddy Reilly.
[3] The Tab (16/09/2026) Ed Sheeran branded ‘coward’ as treasure trove of receipts resurfaces after response to Macklemore. Kieran Galpin.
[4] The Guardian (20/09/2026) Ed Sheeran says the situation in Gaza ‘unjustifiable’ in first show since tour plunged into turmoil.
[5] See Woody Guthrie Dust Bowl Blues.
[6] See Woddy Guthrie Two Good Men.
[7] See Victor Jara, El Derecho de Vivir en Paz.
[8] See Lluís Llach al Palau dels Esports Barcelona 1976.
[9] See Lluís Llach Corrandes d’Exili
[10] See autobiography
[11] See Pablo Hasél Juan Carlos el Bobón
[12] See Dublin City Ramblers, Bold Robert Emmet
[13] See The Bold Fenian Men
[14] See The Wolfe Tones Grace Live in Belfast
[15] See Robbie O’Connell, Kilkelly Ireland
[16] See The Wolfe Tones, The Men Behind the Wire
[17] See John Lennon and Yoko Ono.
[18] See Christy Moore, The Time Has Come
[19] See Harry Belafonte Oh Freedom
[20] See Pete Seeger How Can I Keep From Singing
[21] Dogukanejderr (03/10/2022) The History of Ska and Its Association with Subcultures.
[22] See The Preacher and the Slave from Joe Hill (1971).
Ten links to a diverse range of opinion that might be of interest to TPQ readers. They are selected not to invite agreement but curiosity. Readers can submit links to pieces they find thought provoking.
Before We Conform, Or Condemn, Let Us At Least Be Curious
Donald Trump is an obnoxious, unscrupulous, vainglorious, unprincipled thug. He is also a convicted felon who, as president, has used that position to greatly enlarge his personal wealth. Since returning to the White House in 2025, he has used executive orders to introduce a plethora of tariffs that have caused turmoil not only in states traditionally viewed as out of favour with Washington but among long-term allies as well. Coupled with his threat to annex countries that are members of NATO, he has destabilised what, for long, was a solidly united bloc of leading capitalist countries.
Moreover, and in contradiction to his election campaign promise not to embark on foreign wars, he has launched several military operations. Most recently, he has decided to attack Iran. An unwise option as it turned out, resulting in his popularity falling due to the inflationary impact of rising oil prices. Consequently, there is an opinion growing in some quarters that as his influence declines, his presidency will be viewed as an aberration never to be repeated.
Whatever about the Trump style of running the office being a bizarre, one-off phenomenon, the essence of the US presidency and its dictatorial use of economic power backed by flagrant use of military might will not change voluntarily. While Donald Trump may well pass into history as a boorish anomaly, he is not an aberration in terms of the United States’ exercise of power.
In reality, while the Trumpian delivery is theatrical to the point of ludicrousness, his underlying theme of ‘Make America Great Again’ (MAGA) is something that the US ruling class wholeheartedly endorses. The reason is simply that the American Century is no more and the empire is in decline. A condition brought about largely through its adoption of neo-liberal economic policies at the beginning of the 1980s.
A policy found necessary by the US bourgeoisie in what might be described as an example of the inherent contradictions within capitalism. Three decades after the end of the Second World War and the Western bloc’s compromise with its working class in order to offset the attraction of Soviet-style socialism, the capitalist order was feeling threatened by the increasing power of labour. Drawing on the theories of the Chicago School of Economics led by Milton Friedman, the government of Ronald Reagan (and that of Margaret Thatcher) embarked on a mission to crush organised labour.
Utilising a strategy of ostensibly promoting the supremacy of free market capitalism, no consideration of how this impacted on employment or working-class living standards was to be tolerated. In practice, this meant that the state not only refused to consider any input from organised labour but actively worked to break trade union bargaining power.
Consequently, big business found it politically possible to move its manufacturing plants from the USA and relocate abroad in order to take advantage of lower labour costs. (A similar process was also underway in Thatcher’s Britain.) Over time, deindustrialisation led to what became known as the ‘Rust Belt’ across the Midwest and Great Lakes, accompanied inevitably by mass unemployment.
As Lenin had identified in his classic work Imperialism, the Highest Stage of Capitalism, the export of capital replaced the export of manufactured commodities. For several decades thereafter, the US financial sector benefitted as central government paid little attention to the hardship being endured by many working-class Americans.
By the same token, the US ruling class was initially indifferent to the outworking of facilitating the transfer of much of its manufacturing base abroad. Eventually, though, they came to realise that by doing so other countries, particularly China, had built a viable indigenous manufacturing base. Further concern was created by the fact that the People’s Republic had used its enormous sophisticated educational structures to enhance manufacturing processes once controlled solely by the USA.
This has resulted in China’s manufacturing sector now being significantly greater than that of the US. In the mid-1980s, China’s share of global manufacturing stood at less than 5 per cent, in contrast to the US share of approximately 27 per cent. Current figures show that China’s share stands at nearly 30 per cent while the US has declined to just over 17 per cent. Moreover, the PRC is leading global markets in crucial fields, among which are green energy, electronics, heavy industry and industrial automation tools.
Faced with the prospect of being comprehensively outperformed economically by what is deemed as Communist China, the US ruling capitalist class along with its Deep State are reacting despotically. This is evidenced by the fact that Trump was allowed leeway that would not have been tolerated if opposed by the embedded establishment. Between his abuse of office to self-enrich, his criminal conviction and the distinct likelihood of incriminating material in the Epstein files, there were ample grounds for impeachment if so desired.
There can only be one conclusion, and that is, regardless of his style, Trump is allowed, even encouraged, to launch a programme of measures compatible with the interests of the empire.
In short, to answer the question with which we opened: Donald Trump is undoubtedly a boorish charlatan, but he is not in any way an aberration in terms of the methodology, practices and strategy of the Yankee empire. Therein lies the dangerous malaise at the heart of that system.
Reference
¹ Felix Richter, ‘China’s Rise to Manufacturing Dominance’, Statista.
![]() |
| Tommy McKearney is a left wing and trade union activist. He is author of The Provisional IRA: From Insurrection to Parliament. Follow on Twitter @Tommymckearney |
First stop the Windmill for a double whiskey to top up the house glass I had already imbibed at home before setting out for the game. It is as well Paddy has the patience of a saint as a bane to my aversion to the sobriety of a judge. The Drogheda prices are much better than Dublin. In one of the bars yesterday I forked out 9.5 yo yo for a shot of Black Bush. I took Powers at 2.50 cheaper the round after that. Even then, considerably pricier than Drogheda pubs.
It reveals a lot about our loss of confidence in this Drogheda side when the brace of us predicted a defeat going into the game. It's Sligo FFS but the performances from Drogheda throughout a string of matches has been so consistently poor that even the bottom team seems more than capable of walking away from Sullivan and Lamb Park three points to the good. Not a home win in the league in four months helps explain why the Drogs are facing yet another relegation battle and increasing disappointment on the terraces.
On the night our Jeremiah perspective of doom and gloom was subverted by a commanding performance from the claret and blue who emerged 2-0 winners, game wrapped up in the first half with strikes from Warren Davis and Edwin Agbaje. The latter had played magnificently from start to finish, delivering the killer blow at the most psychologically demoralising moment for Sligo - just before the ref called time on the first half.
Despite the weakness of the opposition the win should not be understated. Kevin Doherty was without seven of his first team regulars either due to injury or suspension. The Drogs allowed Sligo most of the possession, seemingly happy for them to pass the ball in areas they were never going to score from. Off the ball the Drogs put up a shield wall. On the ball they gave the Bit O' Red a bit o' lead. While the home exuded an uncharacteristic confidence, Sligo looked like a team that had lost all self belief, projecting a picture of dejection.
Still, ninth with 31 points, with a maximum of 18 to be taken from the remaining fixtures, it is a precarious time for Drogheda United. Jeremiah might have taken a back seat for the evening but it is not quite time for Pollyanna to take his place.
Q&A: Student activism on American campuses in response to the war in Gaza has become a national debate over where to draw the line between political dissent and antisemitism.
Even as many universities have moved to restrict, disperse or discipline protest activity, demonstrations — and the arguments about how to describe them — have continued, raising questions about free speech, campus safety and whether criticism of Israel is being conflated with anti-Jewish hatred.
Alan Wald, the H. Chandler Davis Collegiate Professor Emeritus at the University of Michigan, is a historian of the 20th-century U.S. cultural Left. He discusses parallels to Cold War-era campus politics, Zionism and how debates over the meaning of antisemitism shape campus protests over Israel and Palestine.
Q/ What is Zionism — and why do you describe becoming a Zionist as a “choice” rather than an identity?
A/ Understanding Zionism requires one to enter complex political terrain. The assertion that Zionism is essential to Jewish identity is misleading for several reasons. Judaism is a monotheistic religion at least 3,000 years old, whereas Zionism began as a secular-led political movement in the late 19th century.
Ten links to a diverse range of opinion that might be of interest to TPQ readers. They are selected not to invite agreement but curiosity. Readers can submit links to pieces they find thought provoking.
Before We Conform, Or Condemn, Let Us At Least Be Curious
In terms of death numbers the highest was the Spanish Flu, at its height between 1918 and 1920 but which is believed not to have disappeared until 1960, with the 1957 flu pandemic that killed my grand uncle, Brother Thomas O'Brien, SJ in Sydney, Australia. In numbers of deaths, the HIV-AIDS pandemic comes third, while Covid is fifth to date, with 38 million dying. Covid isn't over though. Hopefully we are past its peak though you never know until it ends and you only know it is over when it has disappeared completely for a decade. Occasionally a pandemic can come roaring back but usually they don't.
Of course the death rate of Covid was suppressed by vaccines. Without vaccines it might have had a death rate akin to the Spanish Flu - which is thought now to have killed 100 million.
One figure gives an indication of how extreme the Black Death was compared to HIV-AIDS or Covid. Covid's death rate worldwide was 0.4375%. The Black Death was up to 60% of the known population. So the Black Death was up to 120 times more lethal than Covid. Even without the vaccines that saved so many, covid would never have reached the lethality of the Black Death. Our answers in the Black Death saw three out of every five people they knew die.
The trouble with pandemics and plagues is that they are a constant. They always occur. We just don't know when. We might not have a pandemic for fifty years, or one could appear next week. We have no idea. All we know is that they usually involve an animal virus spreading into humans, and as we have never had it before our immune system has no way of fighting it.
Covid appears to come from bats in Wuhan. It was a natural bat virus. Either a researcher in the research lab in Wuhan didn’t follow the strict rules to protect themselves and accidentally got the virus and unknowingly spread it. Or it came from the notorious wet markets in Wuhan, where live bats are sold to be used in soups. The WHO had been warning for decades that those markets needed to be closed. China panicked either because a staff member in the lab got infected through negligence, or because China had failed to close down the wet markets.
The Spanish Flu appears to have come from a pig in Kansas. The pig passed it to a farm labourer. He was scheduled to join the US Army as America had joined World War I and so went to the local unit. Unbeknown to him he carried the pig virus and infected the unit. It spread like wildfire through the army and families. Soldiers arrived in the port of Brest and infected port workers. Port workers infected crews arriving in the port. Those crews carried it all over the world.
So the world was thrown into chaos because one pig infected one farm labourer with the Spanish Flu. Or on bat passed its virus to one person in Wuhan.
The US army noticed that lots of soldiers were suddenly getting very ill and some were dying but had no idea what was going on. The same happened in Wuhan. People began getting sick and rumours spread that there was some strange illness spreading. People like Dr Fauci received reports and began wondering "is this a new pandemic?"
China hushed it up as it was either caused by sloppy research practices in the lab in Wuhan, or China's failure despite warnings to close down the wet markets selling bats. Either way, a fuck by China had unleashed a pandemic and China tried to hide it as its reputation was at risk.
Unfortunately, just as the port of Brest spread the virus through crews on ships, Wuhan is a major transport hub, with air flights all over the world and vast numbers getting trains and planes in Wuhan. Bad as that was, the outbreak happened during major holidays, when literally millions were travelling through Wuhan to visit families, or travelling abroad.
That is how easy pandemics start. One animal. One virus. One infected human. So we have no idea when the next one will start. But one will occur. It may come from a cow or a sheep or a cat or a rabbit or a pig or a dog or a pigeon or some other animal. All it takes is one person to catch it and a calamity awaits.
One thing the Black Death taught us is that to stop it spreading, humans have to stop mixing. That is why since mediaeval times we have had lockdowns. The spread can only be slowed down by shutting down the country - at least until you find a vaccine and begin vaccinating people.
That is the world of plagues and pandemics. Predictable in what has to be done. Predictable that another one will always occur. Unpredictable in that you don't know the animal that will pass on the virus the type of virus and when it will occur.
My grandmothers lived through the Spanish Flu, 1929 flu, 1957 flu and the beginning of HIV-AIDS. My grandfathers were two decades older than their wives, so they also lived though the Russian Flu (1889-90s). My great-grandparents lived through five pandemics between the 1840s and 1930s.
Shakespeare lived through two pandemics in one decade. He was primarily a jobbing actor but with London constantly in lockdowns the theatres were closed. So he spent lockdowns writing plays.
The New York Times, is reported to have identified '208 craters at least 40 feet across in an area of southern Gaza where Israel told civilians to move to safety.' Which means at least 208 of these bombs were used to target civilians herded by Israeli Mengele-types into areas designated safe zones which were in fact kill zones. We will be forgiven for remembering the Jews who were told to go to the shower rooms where they would be safely cleansed but which were in fact execution chambers where they were routinely and systematically gassed.
In one incident at the Jabaliya Refugee Camp 195 Palestinian civilians were killed and a further 777 injured by these bombs.
It is the brutal savagery and its penchant for child murder - Norman Finkelstein has described Israel as a nation of child killers - which has led to a drop in support for Israel within the US.
In July a headline in the Tampa Free Press proclaimed that Polls Show 67-Point Shift In American Views On Israel Over Eight Years.
Appearing on “CNN News Central,” CNN Chief Data Analyst Harry Enten pointed to a series of recent polls showing that net favorability ratings for Israel have turned negative across multiple tracking organizations. According to the data, net favorability stands at minus 10 points in Ipsos polling, minus 11 points according to Fox News, minus 20 points in the Marquette University Law School poll, and minus 23 points in findings from the Pew Research Center. Gallup also reported negative numbers earlier this year.The figures reflect a dramatic pivot from past political norms. During Donald Trump’s first term, Israel’s average net favorability hovered at plus 51 points. Today, that average has fallen to minus 16 points, representing a 67-point drop in less than a decade.
Enten interpreted the figures:
We’re not just talking about the Democratic base anymore. We’re talking about the general electorate as well . . . The general electorate has turned against Israel. This is not just a left issue. It is an American issue when it comes to opinions on Israel.























